Monthly Archives: February 2018

Harpsichord Envy

I went on YouTube to comb for performances on Italian harpsichords. I found a performance of Girolamo Diruta’s Toccata di salto cativo nel sesto tuono. The name prepares one to listen for some sort of “bad leap” (salto cativo) involving … Continue reading

Posted in Harpsichord, Music, Music History, Music Theory, Pipe Organ, Recorders | Comments Off on Harpsichord Envy

Parallel Octaves, Again

I’ve read some internet chatter about BWV565 that makes me shake my head. An allusion to “parallel octaves” in the opening measures. Here we go again. I wrote about this in The American Organist in September, 2011. The organ does … Continue reading

Posted in AGO, Baroque Music, Music, Music Criticism, Music History, Music Theory, Nutters and Such, Pipe Organ, The Agonies of Art, The Lapping Shore of Psycholand | Comments Off on Parallel Octaves, Again